A Man of Inspiration I'd like to call forth attention to the words of a…
Mary Poppins Speech
It began deep in the mind of young Helen Goff, a brave hearten year old who was left at home with her two younger sisters. Her father, a severe alcoholic, was dead and her grieving mother had gone in the dead of night to attempt to drown herself in a nearby creek. Helen wrapped herself and her sisters In a blanket by the fire, and began to tell the girls a fairytale about a magical white horse who could fly, despite his lack of wings. This was the first time that she had dreamt up a story, and twenty-six years later, she would produce a children’s novel about a character who, much like the white horse, could fly.
It would later become a est.-selling book and a 1964 acclaimed movie of the same name – Mary Popping. P. L. Traverse, who was born Helen Goff, once said bleakly, “If you are looking for autobiographical facts, Mary Popping Is the story of my life. ” Her father was an unsuccessful bank manager, much like Mr.. Banks, who sought consolation from a liquor bottle. Though sinking into an alcoholic abyss, he encouraged the imagination of Helen, who often pretended she was a hen brooding a nest of imaginary eggs.
As he grew ill from the influenza, her aunt Christina Assert, Sass for short, arrived to end the fractured household, and though she did makes things better, she could not save Traverse’ father. When he died at age 43, her mother was wracked by grief and Helen retreated into the world of make believe. Traverse moved with her mother and sisters to New South Wales after his death, where her aunt had a sugar plantation, and it was here that the idea of Mary Popping began to take form. Sass became the model for Mary Popping, replete with a giant carpetbag and parrot-head handled umbrella.
P. L. Traverse wrote, “Some day, In spite of her, I shall commit the circumspectly vulgarity of putting Aunt Sass In a book. ‘ And then It occurred to me that this had already been done, though unconsciously and without intent. I suddenly realized that there is a book through which Aunt Sass stalks with her silent feet. You will occasionally find her in the pages of Mary Popping. ” Her novel featured characters that were her family, figuratively and literally. In this fictitious story, P. L.
Traverse was able to rewrite her childhood to have a more desirable ending, and remember her father in the light of Mr.. Banks, who in the end realizes he needs to spend more time with his children. Because these characters go beyond Just fiction, it was an arduous task for Walt Disney to get the P. L. Traverse to agree to the production of a Mary Popping movie. When the Mary Popping novel became a worldwide success, Walt Disney’s daughter, Diane, showed him the book and It was then that he promised to see to It that Mary Popping would be brought to life on the Hollywood screens.
It took twenty agonizing years of persistence before Walt Disney was able to convince P. L. Traverse to come to intentions of sabotaging the film. She demanded all meetings be recorded and that Walt Disney use real people rather than animation. Walt Disney set her in a room with the musical gurus, the Sherman Brothers, in hopes they could persuade her with songs. She was hesitant about the production being a musical, but the Sherman brothers proceeded with the attitude that if she did not like a song, they would Just simply play another one. Persuasive Disney was able to convince P.
L. Traverse that animated penguins were a must, and that Let’s Go Fly a Kite was destined to be a song. Though they differed in opinions and Traverse became notorious for continuously saying, “No, no, no,” Mary Popping was transformed into a motion picture to be released in 1964, and Disney chose to omit Traverse from the guest list of the premiere. Tricky and hardheaded, she made an appearance anyways. Mary Popping was a huge success for Walt Disney, winning five Oscar including Best Song and Best Music, Original Score and Traverse received five percent of the poise’s gross earnings.
Despite the wealth she earned and the world wide phenomenon of Mary Popping, Traverse never embraced the depiction of Mary Popping on the big screen, which she felt was a betrayal to her fiction, and refused to ever work alongside Walt Disney ever again. The movie recently celebrated its fiftieth anniversary, and is a beloved classic. As for Mary Popping, she lives dear in the hearts of children everywhere who still contemplate how to spell supercalifragolisticexpialodoscious.